Comics Workbook

An online magazine for comics makers

Juan Fernández

Posted on November 16, 2016November 16, 2016

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12/19/2016

Juan FernándezDecember 19, 2016NewsJuan here with PIX 2017, Art Happens on PCTV21, comics and image related news that’s caught my eye and of course the inimitable Suzy and Cecil. ————————————————————————————————— Feast your eyes on the first official PIX 2017 Poster, by PIX 2017 special guest, Lale Westvind. Damn. PIX is pleased to announce it’s first confirmed guest at PIX 2017 – Lale Westvind! Lale is a beacon of self-publishing and a veteran of small press comics. She has self published many small batch comics, among them Titus and the Cyber Sun, Hot Dog Beach, Now and Here, Double Head Tour, and the just released Yazar and Arkadas. Her stunning multicolor risograph, Hax, published by Breakdown Press in the UK, was one of the standout releases of 2016. Her work has also appeared in numerous anthologies, most notably the latest Kramers Ergot (#9). And, she has graced PIX 2017 with its first graphic, which will soon be posted here. Watch for it! ————————————————————————————————— Staying with the local Pittsburgh news, I hopped on the airwaves on PCTV21 to talk comics with Christiane Leach and Jennifer Saffron on Art Happens. We talked about what I’m talking about all the time with Frank and Sally here at the Rowhouse. It was good to get all this talk outta the house. If you want to know what it’s like to talk with me in person, here’s a taste. I can’t tell you how nice it is to have conversations with comics with people who are willing to play ball and to see comics as a vital intersection of the arts. Christiane and Jennifer are amazing hosts, always ready to get their hands dirty with whatever is on hand. It’s great to bring to the world these ideas that have been instilled in me by Frank Santoro, Bill Boichel via BEM, Copacetic Comics and Comics Workbook. I’d be nowhere without these guys. Grab something warm and sit down with us. Treat it like a podcast while you work. ————————————————————————————————— My buddy Em DeMarco, here in Pittsburgh, has put out a call for a comic that she’s making about hate-related incidents post-election. I want to pass the mic on over to her: *IF* you’ve experienced verbal or other forms of harassment since Nov. 8th: I’m gathering stories for a nonfiction comic about hate-related incidents that have happened since the election in Western Pennsylvania. I’d like to hear stories of people who feel like they’ve been targeted in any way because of their (real or perceived) race, ethnicity, national origin, immigration status, gender, sexual orientation, or religion. *** IF you feel comfortable sharing your story *** private message me, or email me at emcorp.works@gmail.com. Feel free to share this with friends or family who you think might be interested in speaking with me. Thank you, Em DeMarco ————————————————————————————————— when you can’t work harder, work smarter – for real though <3 ————————————————————————————————— Comics and news that’ve caught my eye: A look at the wonders of SAMPLERMAN. Yvan Guillo is Samplerman. Dig into his collage comics here on HyperAllergic. Underground Art Comics in China. VOLCAN – I can’t afford to get my hands on this, BUT I can learn a lot by looking at what Alexis Beaculair has posted online! Check out these high quality photos of Lagon Revue’s juicy publication, VOLCAN. A memory of when the internet was young. Check out this photo from back in 1973 to see, in a way that is now impossible, what the internet used to look like… ————————————————————————————————— From Comics Workbook: Suzy and Cecil – 12-19-2016 – by Gabriella Tito We are accepting applications for the Winter Semester of the Santoro Correspondence Course for Comic Book Makers right up until Dec. 28th 2016. Course starts Dec. 29th! 8 weeks – 500 bux – the best comics education for your money. Full details and how to apply HERE. ————————————————————————————————— until next time! juan Share this page: [...]

Residency Report: Pokémon GO Edition

Comics WorkbookAugust 15, 2016Residency Reports / School UpdatesAudra Stang visited the Rowhouse in July of 2016. She accomplished an incredible amount in the three days she was in Pittsburgh, setting new Rowhouse records for “crushing it”. She shared some journal notes with us recently that describe many of her impressions and experiences of her residency. I’ve shared excerpts from them below, mixed with some of the process drawings and doodles that she made while she was here. – Sally ————————————————————————————————— Audra Stang wrote: “My visit to the Rowhouse was my first ever residency… I came with the goal of totally drawing out a story that I only had a hazy idea of called Pale, Sick, and Magic; this seemed fitting, considering I only had a vague idea of what a residency would entail.“ “While I had corresponded with Frank during and following his Spring 2014 Correspondence Course, I wasn’t sure how the transition from online correspondence to ‘irl’ would work. During the online course I could process information in my own time, in my own working space, and could leisurely spend thirty minutes mulling over the phrasing of a two-sentence email I was writing – what if I didn’t function well in this different setting?“ “The work space at the residency afforded me time that was not broken up by work, class, etc, which I expected; I didn’t expect that not having my computer on the desk would affect me in such a positive way. This is not leading into a “we are slaves 2 modern tech” maxim; it was just easier to draw from memory than to Google a reference image on my phone, and it prevented me from taking unnecessary detours. Not so when a desktop is sitting in front of me; I should know better anyway, as drawing from photo reference was discouraged in the course.“ “I loved Frank’s house; there was great stuff everywhere – in the living room, guest room, kitchen, work area, basement, etc. Comics that I had previously only read cruddy scans of online were now physically in front of me in pristine condition. I read a lot – I didn’t go to bed until 4:30am one night because I was too busy looking through a huge Gary Panter collection and proofs for Cold Heat that I stumbled upon in the guest bedroom. I would pause while drawing to flip through a book and “accidentally” read the whole thing. I read more comics in three days than I had read in three months.“ “I loved visiting Copacetic Comics. I just sat and read comics standing in the store, sitting on the floor, on the porch, etc. I found more books that I had previously only read via .jpeg-y scans. I have followed Copacetic on tumblr for years, but the store was still beyond my wildest comics dreams.” “Between Frank, Sally, and I we had great conversation – not just about, but often returning to, comics. It fed into the “cycle” – draw by day and tour Pittsburgh by night. Or draw by night and explore Pittsburgh by day. It was a charged atmosphere but in a positive way – I was full of energy. Franks uses language that masterfully evokes the feeling of being “in the game” and gets you hyped for the next comics bout.“ “Frank is really respectful, i.e. he didn’t talk down to me, but he could have, considering his extensive knowledge of comics and strong body of work. Respect is transformative. Regarding gender/women in comics and being a woman who draws comics: my relationship with comics was never treated as cute or diminutive in Pittsburgh. I never expected it to be – but it happens, even with great, wonderful, well-intentioned friends. Frank “gets” it, and it’s evident both in his speech and actions.“ “Sally is amazing as well; I talked to her about what I’d come up with so far for Pale, Sick, and Magic over coffee before I went to start drawing it on first day. She also helped me process a lot of what Frank was saying – Frank said a lot of good stuff and so very frequently that it was difficult to capture it all. Sally helped me retain more than I would have on my own. Also, Frank and Sally both waited for my train with me the morning I left, and I really appreciated that, especially because it was an hour late. They went to great lengths to give me an extensive tour of Pittsburgh and to make me feel welcome. I felt humbled by the amount of respect and care that was taken in shaping my experience. I’m already ready to go back.“ Sally here, to conclude. Each person who visits the Rowhouse has as much of an impact on the Comics Workbook team as we do on them, and Audra was no exception. She taught us all about Pokémon Go, for example, and as she reports in the comic above, we spent a considerable amount of time driving around the city harassing people on the streets – to their actual delight…! Far above and beyond that, the conversation that filled the Rowhouse during her stay was fuel on the fire for all of us. The transformative power of respect that Audra mentioned is something that she and I discussed at length. Frank has this way of handing the keys over to each of his students, and then he trusts them drive the car like Speed Racer. This sort of empowerment from a mentor and teacher is an incredible boost to anyone who might aspire to be a comics master, but to a woman in this field it holds extra impact. We live in hope that before too long, that sort of distinction won’t be part of the conversation. That will take a bit more work, however, so knowing that Audra left Pittsburgh and her Rowhouse Residency with a new sense of her own outstanding worth as a cartoonist means that Frank and the Comics Workbook team is on the right track. Let’s keep this conversation going! ————————————————————————————————— Audra went home and finished Pale, Sick, and Magic, which is currently being serialized on the Comics Workbook tumblr – catch up with it HERE. We will also be archiving it here on the site and printing it this autumn, so stay tuned. You can see more of Audra’s work HERE. ————————————————————————————————— If you have questions about the Comics Workbook Rowhouse Residency or are interested in applying for one yourself, please check out our Info Page and/or email santoroschoolsATgmail, and keep up with all the latest happenings HERE. Share this page: [...]

11/27/2017

Caleb OrecchioNovember 27, 2017NewsCaleb Orecchio here with thoughts on Peanuts, Ron Wimberly’s LAAB, and other news. ————————————————————————————————— Charles “Sparky” Schulz’s birthday was yesterday, he would have been 95. As we all know, Schulz created possibly the most iconic American comic strip, Peanuts. Ever think about how every single newspaper still carries Peanuts? Remember when Snoopy sold us life insurance and would appear at the corner of your screen while watching college football? Has the Charlie Brown balloon at the Macy’s Thanksgiving Day Parade ever popped? How many psychiatrists have used Lucy’s football place-holding shenanigans as a metaphor? In fact, how many of those people have a framed image of Lucy’s psychiatrist stand in their office? Who hasn’t seen Linus recite The Nativity Story? My grandmother has a Peanuts recipe book. I saw a woman the other day with a Woodstock tattoo on her calf. How many of you knew who the Red Baron was before Snoopy?—be honest. My friend took his daughter to a theme park where kids could ride in Snoopy’s doghouse. Happiness is a warm cookie®. I could go on and on. Go ahead, think of all the places you’ve seen Good ‘Ole Charlie Brown, Snoopy and the gang. You can come up with a lot if you really think about it. They are everywhere. Comics are symbols, and Schulz mastered and exploited that fact to the max. Now his creations are everywhere, on everything, and still stand virtually untainted despite their overuse. They interact and inform our culture—what more could a cartoonist ask for? ————————————————————————————————— if you don’t know, now you know LAAB (pronounced “Lab”), “The debut issue of Ron Wimberly’s collective newspaper dismantles lethal stereotypes of black representation in sci-fi & pop culture,” is nearing the end of its Kickstarter campaign with 4 days to go and nearly $10,000 left to raise. Wimberly is very smart and an important voice in 21st Century comics, and it would be a shame to not see this project hit its goal. Do what you can to support whether that means spreading the word, or through cold hard cash. Austin English debuts a new column at TCJ.com. Take a look at Winsor McCay editorial cartoons by way of Warren Bernard’s personal collection. Heidi MacDonald’s update on Pixar’s founder over at The Beat—the title says it all. Jason Thompson & Jumana Al Hashal are the latest guests on Process Party. ————————————————————————————————— Suzy and Cecil – 11-27-2017 – by Sally Ingraham —————————————————————————————————Joanie and Jordie – 11-27-2017 – by Caleb Orecchio Share this page: [...]

10/02/2017

Caleb OrecchioOctober 2, 2017NewsCaleb Orecchio here with your Monday edition of the Daily News providing a CXC wrap-up. ———————————————————————————————— What a weekend. A long weekend. From September 28th to October 1st I attended Cartoon Crossroads Columbus with Comics Workbook, and I have no regrets. First I must thank Frank Santoro who, apart from being my favorite cartoonist, is the fearless leader of Comics Workbook –without whom, my experience of these festivals would be lacking any sense of purpose. Thanks Frank! Also have to thank Sally Ingraham who keeps me and the other kids in check and with things to do–she also serves as an inspiration of work ethic in comics. Next I should thank the CXC Executive committee, the people who make this show what it is and tirelessly keep the wheels going–Jeff Smith, Lucy Caswell, Vijaya Iyer, Kathleen Glosan, Tom Spurgeon and Melody Reed. Thanks for putting on such a great show. ———————————————————————————————— FIRST DAY–Thursday September 28th Got there in time to meet the rest of the Comics Workbook crew and see Kevin Huizenga’s talk about his use of time in comics. As you may have guessed, the talk was very in-depth and interesting. I thought it was cool that he remembers, vividly, drawing his first comic. He ran through his Ganges catalog and gave us examples of how he plays with time and how time has many different perspectives. You, dear reader, probably already know this, but he is extremely smart and I was really impressed with the amount of research that goes into each issue of Ganges. And so we, the CW crew hung out and around OSU campus and caught up with each other and generally palled around. The official CW caravan crew was Frank Santoro, Sally Ingraham, Connor Willumsen, Audra Stang, and Kurt Ankeny driving in from Pittsburgh–then myself who came in from Dayton, OH. We also saw the likes of Adam Griffith, Phil Dokes, Juan Fernandez, Jenn Lisa, and Aaron Cockle that weekend. Of course, how could I not mention the Billy Ireland. What you’ve heard is true. It’s amazing. Often, peoples hearts stop and their eyes get teary. I’ve written much on this before and so have others, so I won’t take up any more space on here about this subject. SECOND DAY–Friday September 29th First thing I saw was Leslie Stein’s tutorial on watercolor and other various materials she uses. Very fun lecture. Stein did great crowd work and was entertaining while she drew. I found it interesting just how much of an education this was for a lot of people in the audience who didn’t even know what a micron pen was(!). Side note, I think microns should die a quick and sudden death–but that’s just me. Audra, Kurt and I got lunch and hung out. They gave me some tips on drawing portraits–they are both very accomplished in this field, among others, and I am often quite jealous of their ability. At 3:00pm, was the Chris Ware spotlight moderated by Caitlin McGurk. My friends, you could not have seen a better talk. Chris Ware was, as usual, completely and utterly fantastic–funny, intelligent, self-deprecating–everything you’d ever want from the man. And Caitlin McGurk was an excellent interviewer, she could hold her own and her intellect matched Ware’s. In fact, Ware surprised her by mentioning how an article about memory that she wrote when she was nineteen, changed the way he thought about memory–the article was recommended by Chester Brown–and much of her ideas in that article made their way into Building Stories. Like I said, the interview was amazing, I could not be happier with the experience. Real quick, I’ll share one of the anecdotes that Ware shared about his daughter (when she was six)–I’m paraphrasing: Ware: Okay, Daddy has to go upstairs to work. Daughter: Daddy, you’re not going upstairs to work, you’re going upstairs to blame yourself. (Uncontrollable laughter by crowd) Then at 5:00pm comes The Billy Ireland Cartoon Library and Museum 40th Anniversary Reception. Got to spend quality time with Audra and Connor before the awards for Master Cartoonist and Transformative Cartoonist were awarded to Kyle Baker and Howard Cruse, respectively, by Tom Spurgeon and Jeff Smith. Before the awards were passed out, Jeff Smith gave a very touching thank you to all the staff, volunteers and sponsors of CXC. What was particularly touching was Smith’s thank you to Lucy Caswell–who was his mentor and, I think it’s fair to say, we would not know Jeff Smith as we know him today if not for Lucy. THIRD and FOURTH DAY–Saturday September 3oth—Sunday October 1st First day of Expo and Marketplace. Comics Workbook had our table next to Connor Willumsen’s which was nice. Frank ran both tables expertly. Watching him table, one learns the ropes. He’s certainly the best tabler I’ve seen–maybe only rivaled by his own mentor, Bill Boichel. People love going to Frank’s table and talking to him and commenting on “back issues” or anything that comes to mind. It was fun to see him talk to the likes of Rob Clough, Peter Bagge, Matt Fraction, Tom Spurgeon, Jeff Smith, etc. etc. People have such a respect for Frank. He’s the man. Connor Willumsen had workshops literally every hour while the library was open–AND he would occasionally come up to his table and draw sketches, sign and draw in his book–Anti-Gone, it’s amazing–for people. Connor’s amazing, dude can draw straight to ink like a master. I’d be mad at him if he wasn’t such a kind, thoughtful person. Speaking of Connor, he was on a panel with Jeff Smith, Peter Bagge, and Kyle Baker–three giants of comics and some of the most successful cartoonist fiscally and critically. Despite Connor’s relatively low-profile compared to these legends, Connor held his own and impressed everyone on the panel with his cartooning prowess (all three legends took a look at his book during the session) and his ability to hold an audience. Connor had a busy weekend and a tall tall mountain to climb–and he finished the race a mile in front of the pack. Frank says he’s the “starting center fielder” on the scene these days. Sally Ingraham took over for Connor during his aforementioned panel because he was double-booked and people still wanted to learn comics. Every time I want to complain about comics and how much it engulfs my life, I remember that Sally is a savage and never complains. She is ready to jump in whenever and wherever CW needs her–and is totally prepared. AND she still manages to make a daily comic. Audra Stang is a rising star. I heard critics mention her work multiple times throughout the weekend. People are starting to pay attention to her–and you should too. I have to mention how particularly fun the last CXC after-party at Pins Mechanical was. Evan Dorkin was the host and made everyone howl with laughter. When I arrived, Frank was holding a ping pong tournament where Dustin Harbin was the undisputed champ. We came in when he was battling the great JC Menu. Harbin has an interesting serve that is hard to keep track of, but it was no match for my past youth group skills. Once I came in to play–the pace changed. I never lost a game. Connor came close though–so did Dustin. It was fun–Frank had to bench me because I had beaten everyone and other people wanted to play. haha I say all this to brag about beating a bunch of great cartoonists at ping pong–it’s ridiculous. All in all, CXC was great. I love going because, 1.) it’s my hometown festival, and 2.) I haven’t been to show that has such a mix of camps and to see all those camps mingling is something to behold. And my comics sold pretty well so no complaints from me. Thanks again to everyone who makes CXC a great show, from the executive committee to the donors to the board of directors and volunteers. Thank you! And once again, thanks to Frank and Sally for their support of the Comics Workbook “kids” and our endeavors. -CO ———————————————————————————————— if you don’t know now you know Be sure to check out the great Bill Boichel’s review of John Hankiewicz’s Education on this very site. Latest Inkstuds interview is with Sophia Foster-Domino. Speaking of which, Annie Mok talks to Sophia Foster-Domino over at TCJ.com. Gina Wynbrandt is the latest guest on Comics Decalogue, also on TCJ. Latest Process Party guest is Christopher Sebela. ———————————————————————————————— Suzy and Cecil – 10-2-2017 – by Audra Stang Share this page: [...]

08/30/2017

Juan FernándezAugust 30, 2017los Cómics / NewsEmpezamos el día con Carla Berrocal; Jueves Furioso de Dibujo; Simon Hanselmann; la Convocatoria de Voluntarios de Entreviñetas; La Polola con Brittany Tullis; Graficas Pro Aborto Libre; Alex Fito; Berliac y los tebeos de Cómics Workbook! ————————————————————————————————— Sobre el Proceso de Trabajo – Carla Berrocal Antes de nada, debo decir que no creo que exista un método de trabajo que sea bueno o malo o que sea el método definitivo. Creo, sencillamente, que existen miles de formasdistintas de afrontar un encargo, tantas como dibujantes. El mío es uno más de esos miles de métodos. No creo que sea el mejor ni de lejos, pero si que pienso que puede ser interesante compartirlo con vosotros. Siempre con la idea de establecer un diálogo y aprender cosas que puedan resultar interesantes para todos. Así pues, ¿cómo trabajo? ¿cómo afronto un encargo? ————————————————————————————————— Jueves Furioso de Dibujo con Virginia Abrigo 31/09 – 18:00-20:00 Plataforma Lavardén Mendoza 1085, 2000 Rosario, Santa Fe ————————————————————————————————— Simon Hanselmann: la vida no es bonita, ni siquiera en cómic En tiempos de Tumblr, de bloggers sobrevalorados, de fotos de perfil manipuladas por Photoshop y relaciones interpersonales supeditadas a una interfaz friendly, algunos pensamos que una vuelta al existencialismo honesto y deprimente es algo casi necesario. Por eso nos gusta reivindicar a Simon Hanselmann. Y no es que estemos de acuerdo con eso de levantarnos cada mañana planteándonos la existencia entre lacrimosos accesos de frustración, no. No del todo. Pero en esto coincidimos: empieza a resultar imprescindible un poco de reality bite, una dosis medicinal de realidad sucia que levante la alfombra y deje al aire toda esa porquería que se ha ocultado debajo con insistencia. Porque, sin entrar en discursos grunges, es dolorosamente cierto que la realidad, aunque pretendamos lo contrario, no suele ser algo que pueda retocarse con un filtro trendy ni reconstruir recortando el trozo que queremos mostrar. A pesar de que podamos tener momentos felices, la felicidad no es una imagen y, por lo tanto, nunca podrá permanecer demasiado tiempo. Léanlo todo en Literary Notes. ————————————————————————————————— ENTREVIÑETAS, plataforma cultural colombiana, invita a todas las personas en Colombia con interés en donar su tiempo para ayudar en la navegación del #FESTIVALENTREVIÑETAS como Voluntarios de la *red viñetera*. El voluntariado supone a menudo un desafío, pero significa también adquirir nuevos conocimientos y realizar actividades gratificantes. En el voluntariado no se recibe un pago y se entiende como una donación de tiempo y conocimiento para comprender y atender a los detalles que permitirán llevar el festival a buen puerto en sus sedes de este año: BOGOTÁ Miércoles 20 al domingo 24 de septiembre 2017 MEDELLÍN Miércoles 11 al domingo 15 de octubre de 2017 Convocatoria de Voluntarios ————————————————————————————————— Los cómics y las noticias que me han llamado la atención esta semana: Sol Díaz Castillo y Marcela Trujillo tienen una nueva edicion de La Polola Podcast! Las chicas conversan con la académica Brittany Tullis acerca de sus estudios acerca del cómic feminista latinoamericano (grabado con público en Galería Plop!). Brittany comparte sus visiones acerca de la mujer y su rol creativo, la necesidad de replantear como nos vemos socialmente, críticar los roles impuestos y entrar en nosotros mismos a través del cómic y cómo éste a su vez tiene el poder de generar realidades que terminen en un cambio cultural. Aquí las compañeras de Gráficas ProAborto Libre y su campaña por un aborto libre en Chile. Alex Fito repasa algunos de los tótems de la historia del cómic en su último trabajo, una recopilacion en formato concertina. Una auténtica gozada que mezcla las influencias estética’s de Chris Ware y Max. Berliac‘s got a new Asian Food Store Junkies – Manga is Masturbation. The international fracas digs into the “scene” on an empty stomach… Tereixa Constenla offers a solid and interesting overview of the recent transformations in the Spanish Comics Industry in El_Pais. ————————————————————————————————— Suzy and Cecil – 8-30-2017 – by Gabriella Tito Share this page: [...]

11/16/2016

Posted on November 16, 2016November 16, 2016 by Juan Fernández

Juan con un poquito sobre: las Comiqueras en diciembre; Octavio Beares sobre GrafMadrid + video; Venta de arte: Alexis Ziritt; Revista La Traca; La Polola Podcast #20: Realidad; Inés Estrada WINTER MEGASALE.

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⚡ Madrid, España – GrafMadrid
Octavio Beares ha escrito un poco sobre el milagro que es el festival, Graf. Octavio Beares es un veterano de los cómics, osea que su perspectiva es muy pero muy valorosa. Si no han ido a Graf, hay que ir, este festival es el “Comic Arts Brooklyn” del cómic hispanohablante!

Entonces voy a Graf, y Mireia Pérez, cuando se cosca de que este tipo al que recuerda de otros grafs “soy yo”, Octavio, y me suelta una risa así de grande y sincera y un abrazorte del doce, se disipa cansancio y dudas. Porque es la primera. Vienen más de seguido, de más encuentros, y cuando me reencuentro con Gerardo y con tantos autores y colegas críticos, con gente que veo muy de vez en vez y con gente que solo conocía por Redes Sociales, y cuando estalla ese ambiente ígneo que es estar en Graf… “cansados mis bemoles”. El cómic es un manantial de cosas buenas, de gente BELLA, de talento, de ganas. Reventados todos por tres días duros, sobre todo organizadores y expositores. pero felices, o eso creo yo.
En serio, id a Graf si os gustan los cómics y no conocéis este festival. El manantial brota de allí, es la gente, el pozo en que nace el arco iris. Hay una sinergia brutal, es centrifugante y vertiginoso. Es amoroso, afectivo, admirativo, alegre y POSITIVO. Es una sinfonía luminosa de ganas de hacer cosas, conocer gentes, autores, amigos virtuales. Es tan intenso que te balda y sabe a poco a la vez. Y si no conoces a nadie, te encontrarás en un espacio que acoge y que alimenta, con charlas bárbaras y talleres para todas las edades y todos los pelajes.

Léelo todo AQUI!

Aquí podéis ver una pequeña muestra de los expositores de GrafMadrid:

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⚡ Santiago, Chile: Comiqueras – Diciembre 10, 2016

Con la intención de fomentar la autopublicación de cómics y la producción de Autoras en la historieta local, se ha creado este evento. Para que se pueda exponer y conversar sobre la historieta hecha por mujeres cis, hetero o lgbtiq y compartir experiencias sobre la historia de las comiqueras en Chile y compartir conocimientos sobre autopublicación con aquellas que estén interesadas en comenzar a autopublicarse.

Pueden participar todes aquelles mujeres y/o trans heterosexuales o lgbtiq que se dediquen a la creación de cómics de forma independiente y autogestinada en formato libro artesanal, fanzine u otro tipo de autopublicación.

¿Eres chica y haces cómics?
Inscríbete para participar de este evento!

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⚡ Miami, Florida: Space Riders pages by Alexis Ziritt are on sale via Out of Step Arts. Buy a couple and bring ’em home!
If you’re wondering what Ziritt’s tools of choice are, he’s got the answer for you right here. He gets this question, pretty often! Practicality above all. Road-friendly, simple & reliable.

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⚡ Valencia, España: La exposición Revista La Traca. La transgresión como norma acaba de habrir sus puertas. Se puede ver hasta el próximo 15 de enero en La Universitat de València en la Sala Estudi General del Centre Cultural La Nau. Comisariada por los profesores Antonio Laguna y Francesc-Andreu Martínez, la muestra es la primera dedicada a la revista, en la que se puede ver material inédito sobre la que fue la publicación de mayor tirada de España, con en torno a medio millón de ejemplares despachados en su época dorada.

La revista La Traca. Semanari pa la chent de tro reflejó una cultura alternativa a la corriente mayoritaria de los medios de comunicación, siendo inmisericordes con la corrupción. No en vano, la revista fue una de las poquísimas publicaciones en caricaturizar la figura de Franco. La propaganda antifascista se convirtió en el eje central del semanario una vez estalló la Guerra Civil cuando, derivado de su éxito en Valencia, ya se editaba en castellano y distribuía por todo el país. Hitler y Mussolini eran representados como enemigos de la cultura y el progreso, siendo el 17 de marzo de 1937 cuando, por primera vez y de manos del colaborador José María Carnicero, aparece la figura de Franco, dibujado como homosexual –“el general invertido”-. Vestido de mujer, suspirando por los bellos marroquíes o mirando de forma golosa a unos platanos (la fruta), las viñetas no dejaban de producirse. Hasta el final.

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⚡ Texas, USA: Inés Estrada esta ofreciendo un MEGAbundle, su “Winter reading mega pack“! Prepárate para el invierno y ahora $41 cuando compras este mega pack. Get over $90 of comics for just $49! Solamente disponible en http://gatosaurio.com. Prepárate!

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⚡Santiago, Chile –Escucha @lapololapodcast, un podcast del cómic femenino con Sol Díaz Castillo y Marcela Trujillo! It’s always a fun, relaxing and enlightening listen. If you haven’t tuned in to La Polola just yet, Póngale Play 😉

En este capítulo las chicas conversanacerca de los límites entre la realidad y la ficción, entre lo concreto y la fantasía, entre lo comprobable y lo imaginario, lo privado y lo público. Conversan acerca de estas posturas en la narrativa a través de diferentes libros que vamos poniendo como ejemplo.

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⚡Pittsburgh, Pennsylvania: thee Santoro School Handbook by Kurt Ankeny
Comics Workbook has had a great show season, with visits to SPX, CXC, LICAF, & CAB. The workshops we have hosted at these events have been a highlight and folks all over are digging into comics making with new ideas swirling in their heads. If you didn’t making it to a workshop this year, be sure to keep an eye out for us next year – and meanwhile, check out thee Santoro School Handbook for Making Better Comics by Frank Santoro and Kurt Ankeny. Printed offset on cardstock by the professionals at The Prolific Group, Winnipeg, Canada, this is not some cheap color xerox or risograph. Looks great, feels great, and even smells great. Always available at our store HERE – free shipping worldwide!

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hasta la proxima!
Juan

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Comics Workbook

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Posted in los Cómics, News

Juan Fernández

Posted on November 16, 2016November 16, 2016

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06/16/2017

Sally IngrahamJune 16, 2017NewsSally here with Tatiana Gill; graphic medicine; the new superwomen and their fresh talk; Karen Green’s life in comics. ————————————————————————————————— Adam Griffiths attended “FRESH TALK: Who are the new superwomen of the universe?” at the National Museum of Women in the Arts in D.C., on June 14th, 2017. He sent these notes for me to share with you: FRESH TALK: Who are the new superwomen of the universe? tag: #freshtalk4change Panelists: Carolyn Cocca : Author of “Superwomen: Gender, Power and Representation.” Ariell Johnson : Owner of Amalgam Comics & Coffeehouse, Inc. Gabby Rivera : Writer for Marvel’s AMERICA series. Ashley A. Woods : Artist for the Stranger Comics series, “NIOBE: She is Life.” Moderated by Emily Whitten. Tonight’s panel at NMWA was crowded with curious onlookers, geeks, comics fanatics and well-wishers for the comics medium, which has barely had a presence in the thirty-year old museum’s programs or collection. I have to admit I was a little nervous for the panelists; the selection of speakers intimated that the program would serve as a sort of general survey of this contemporaneous moment, where the concept of women and comics are discussed in a women-positive environment, on women’s terms. The fact of the matter is that this discussion has been going on for the past two decades. Like pulp fiction, comics has emerged from the margins of popular literature as a force that even Hollywood has had trouble quantifying. We’re learning that comic-book movies are made with all hands on deck. One misstep in storytelling or context can unleash a digital herd of comics aficionados. They are protective of their stories, passionate about cinematic interpretations of their heroes, and uncannily heeded by the industries that create this type of entertainment, probably because these fans are primarily men. When comics shop owner Ariell Johnson is discussing her first forays into comics, she mentions a male friend with a great collection of comics. She was always borrowing his, but when an image of Storm from the X-men pops up during her slide presentation, she lights up: “This woman was the one who started it all for me,” she says. There seems to be a little guilt there – the collection that she had access to ended at some point and perhaps could have ended her relationship with comics. Instead, she started her own shop. When Gabby Rivera begins discussing her writing, she’s still overwhelmed by the influx of community support she got for her early work, and how that motivated her to continue. Artist Ashley Woods remembers getting to comic conventions with no money, sometimes even arriving without her own book in hand to sell. There’s a thread here that’s tough to follow if you choose to really feel it; Gabby Rivera wants you to know that her mom is awesome. When Rivera’s mother calls she asks: “Gabby have you eaten something?” “eatsome’neat.” It’s something about how women hold fast to their communities, sometimes needfully breaking themselves in order to advance. Speaker Carolyn Cocca suggested that the cult of domesticity in the United States is responsible for sluggish progress for women in the comics industry. Within that history, we do know that there were women creators in comics. We also know that there were tons of women colorists, women letterers, women running printing presses. The standout artists and writers however are the ones that there are few of, seemingly. The mise-en-scène here is that women comics creators are piggybacking on each other towards an enhanced presence in the comics field. Last night, the room was very warm with this prevailing outlook. ————————————————————————————————— Tonight the reception for the 2017 Comics & Medicine Conference: Access Points will be held at the Fantagraphics Bookstore – featuring a book signing by Tatiana Gill. She will be presenting her new collection, Wombgenda; “fierce feminist comix” to all reports. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street and the event will be from 6-9 PM. The Seattle Review of Books writes about Tatiana Gill’s new comic: “The three long pieces in Wombgenda address Gill’s journey to developing a positive body image, her abortion story, and an account of getting a new IUD at Country Doctor. Her style in these strips is very reminiscent of Seattle cartoonist Roberta Gregory’s autobiographical comics from the 1990s — simple figures, little to no backgrounds, and a lot of words packed into every panel. They feel something like handwritten letters from a friend — confessional, intimate, exuberant, and heartfelt.“ Read the rest of the review HERE. This is the eight annual Comics & Medicine Conference, the bulk of which will be held at the Seattle Public Library Central Branch (June 15th-17th). This year the event features keynote speakers Hillary Chute, Georgia Webber, and Rupert Kinnard. Learn more about the event HERE. Seattle Weekly profiled the event, and spoke to co-founder MK Czerwiec about the importance of comics in health care. ” “Comics have the power to convey important information in ways that people who are dealing with issues in health care and caregiving find appealing to absorb,” Czerwiec explains. Comics have been used in public health situations for decades to make information accessible in ways that can “transcend language barriers,” but they also provide patients with a “form of reflection and … storytelling” that can help in the healing process. They also help others empathize with patients. For those reasons, she says, nursing and medical schools are beginning to use comics to teach students. Czerwiec says that Seattle has existed on this intersection between comics and medicine for a very long time. Cartoonist Mita Mahato, who has helped to organize this year’s Comics & Medicine conference, has long been a booster. Ellen Forney’s memoir about life as an artist with bipolar disorder, Marbles, has fast become a classic in mental health circles. And “of course, Meredith Li-Vollmer at the King County Public Health Department has come to our conferences in the past and presented projects that she’s done with David Lasky in the public health arena.” Li-Vollmer and Lasky worked on the comic No Ordinary Flu, which saw a print run of over half a million copies translated into a dozen languages and distributed around the country.“ Read the rest of the article HERE. ————————————————————————————————— Karen Green‘s life as a comic, by Nick Sousanis – or, “How a Butler librarian became Columbia’s first curator for comics and cartoons“. Check out the whole thing HERE. Nick Sousanis wrote about the experience of making the comic: “While only six pages long, this proved to be a huge undertaking – i was working on it December through March, and it was just published this week. When first approached to do this project, I was hesitant. Although I’m good friends with Karen and she was a great colleague while I was doing my doctoral work, biographies are not really the sort of comic I make. But then I got the idea to tell her story through homages to all the comics she read growing up and through adulthood – and that got me excited for the challenge (I did do one autobiographical piece a long time back that touched upon somewhat similar terrain). And it was a challenge – the amount of reference material for this short piece are kind of ridiculous but once you’ve committed to this path – can’t really stop walking. The comic draws on her lifelong fascination with Alice in Wonderland in a few places, the New Yorker, the Bayeux Tapestry, Archie, Little Nemo, Charles Burns, and the crowning achievement of the piece – a riff on Al Jaffee’s legendary Mad Fold-Ins! (See a recent interview with Jaffee here.) Although this final page was the quickest to draw in the end, it was by far the hardest to figure out.“ Read more of his thoughts HERE – and see the “fold-in” page in action! ————————————————————————————————— Blinkers – 6-16-2017 – by Jack Brougham ————————————————————————————————— Suzy and Cecil – 6-16-2017 – by Sally Ingraham (based on a sketch by Gloria Rivera) Share this page: [...]

Bill Griffith’s Weird Pittsburgh

J KellyMarch 25, 2016Art Trip / SketchbooksLegendary Underground cartoonist Bill Griffith has often set his long-running daily newspaper strip Zippy the Pinhead in the city of Pittsburgh. Griffith has visited Pittsburgh several times, including in 2009 when Pittsburgh’s cartoon museum, The ToonSeum (then still located in the Children’s Museum), put on the show Zippy’s Pittsburgh and More, which included some of the strips seen below. On April, Griffith will return to Pittsburgh to talk about “45 Years of Zippy” at the ToonSeum on April 1st at 7 pm and to take part in our Pittsburgh Indy Comix Expo (PIX) on April 2nd. As part of PIX, Griffith will sign books during the day, run a cartooning workshop for Comics Workbook at the Carnegie Library at 3:30, and speak about his new book, Invisible Ink at 7:30. In preparation for all that activity, we thought it was a good time to re-visit a few of those Zippy strips, as well as take a look at some never before seen pages from Griffith’s sketchbook composed during a 1990 trip to Pittsburgh. But first, here’s a couple where Zippy, Griffy and others note Pittsburgh’s “more enlightened and weirder” culture: Here’s a few (and there are many more) Zippy strips that are set in familiar Pittsburgh locations: Ritter’s Diner in Bloomfield. The Big Day Wedding & Event Center, Strip District. Charlie’s Diner (now known as Peppi’s, and also once known as Scotty’s, as well as Downtown Diner), Lincoln Highway. Glowing Sculpture Thing, PPG Place. In early June of 1990, Griffith visited Pittsburgh to take in the Thomas Rowlandson show at the Frick Art Museum. The images below are taken from sketches he made at the time. While in town, Griffith also spent some time at the historic Kennywood Amusement Park in West Mifflin, as seen below. Griffith, who arrived for that trip via the rail road, also sketched the train ride and station. “For me, Zippy is funniest when his craziness bumps up against the ‘real world’, which is why I put him in diners and have him talking to Bob’s Big Boy,” Griffith said in 2009. “It doesn’t get much more real than Pittsburgh, PA – it’s Zippy Country!” Hopefully he’ll find some additional examples of that “more enlightened and weirder” pop culture on his trip back here in April. Share this page: [...]

Ch 3: Inking the Head and Figure (FACC)

Juan FernándezJanuary 1, 2016ResourcesShare this page: [...]

10/18/2017

Juan FernándezOctober 18, 2017los Cómics / NewsEmpezamos el día con Sofía Álvarez Watson; Ramón Esono; Begoña García-Alén; Mohammad Barrangi; Inés Estrada; Berliac; La Polola; La Primavera del Libro y los tebeos de Cómics Workbook! ————————————————————————————————— Dibujar el amor es el trabajo de Sofía Álvarez Watson Juan David Umaña Gallego nos cuenta en El Colombiano: “Llegué a Medellín con 105 anécdotas recogidas entre Buenos Aires y Bogotá. De aquí me llevaré unas 10 y luego estaré en Quito para después regresar a Buenos Aires y decidir qué hacer con ellas”, dice la ilustradora. Una de esas historias, la primera en realidad, relata como dos enamorados decidieron encontrarse en una estación de tren, pero con tal mala fortuna que cada uno se ubicó en una entrada diferente esperándose por más de una hora. Después de esperar ese tiempo los dos decidieron ir a la puerta contraria y se encontraron. Un inicio romántico para una historia que no termina bien. ————————————————————————————————— Ramón Esono, a la cárcel por dibujar contra Obiang Ramón Esono sigue en la cárcel y nosotros seguimos pendientes de su estado. Dibujar no es delito. Ramón Esono lleva en la prisión de Black Beach, Malabo (Guinea Ecuatorial), desde el 16 de septiembre, sin que los cargos contra él ni los motivos que han provocado esa detención estén muy justificados. Las autoridades del régimen de Teodoro Obiang apuntan a un supuesto delito por blanqueo de capitales, pero se intuye que las razones reales obedecen a un castigo por las críticas que Esono realiza desde su actividad artística, principalmente como ilustrador. ————————————————————————————————— Los cómics y las noticias que me han llamado la atención esta semana: Sol Díaz Castillo y Marcela Trujillo tienen una nueva edicion de La Polola Podcast! En este capítulo las chicas se fueron a recorrer La Primavera del Libro, en el parque bustamante (Santiago, Chile). Participaron del duelo de dibujantes entre Katerine Supnem, Malaimagen y Sol Díaz, entrevistaron a distintos personajes, dibujantes, editores, revisaron libros, cantaron, y reíron. Entre los entrevistados están los dibujantes Malaimagen, Christiano y Camila Barrales, hablaron con las editoras de los hermosos libros de La Mujer Rota, Neon, Vasalisa, Francisca Cárcamo de Pánico ediciones, y la grosa y divertida Lola Larra de Ekaré. Inés Estrada: “Millions of years of evolution for us to all be bored on our phones right now…” The last issue of her Alienation comic will be available from her webshop, Gatosaurio this weekend. If you haven’t picked up all previous 5 issues, you’d be remiss not to get all 6 for $25. Miguel A. Pérez-Gómez reseña Nuevas estructuras de Begoña García-Alén – el lector como constructor. Este sábado a las 20 no se pierdan a Berliac en una gran charla moderada por Lucas De Paoli en Libreria del Fondo en Buenos Aires, Argentina. Conozcan a Mohammad Barrangi, el elegido por Tragaluz Libros como premio de ilustración. Aquí el intercambio de magnolias entre Barrangi y Juliana Muños Toro. ————————————————————————————————— Suzy and Cecil – 10-18-2017 – by Sally Ingraham ————————————————————————————————— Cozytown – 10-18-2017 – by Juan Fernandez ————————————————————————————————— Joanie and Jordie – 10-18-2017 – by Caleb Orecchio Share this page: [...]

01/23/2017

Juan FernándezJanuary 23, 2017NewsJuan and Sally have thoughts on visual literacy, comics from the Women’s March, an Island comics club, news of The Beguiling, and much more to start your week. ————————————————————————————————— Today on the site, Tyler Landry shares thoughts on running a weekly comics club in Charlottetown, Prince Edward Island, Canada – a Comics Workbook “satellite school”! Tyler Landry: I’ve been running the Charlottetown Comics Club (CCC) weekly, since the spring of 2016. At first in my home with a few trusted friends, then we moved to a public place – the back room of a local comic shop, Lightning Bolt Comics, where anyone and everyone is welcome to join. I sought to model this club on a few basic ideals. First, the continued development and expansion (for myself, and members) of the foundation of comics-making skills I learned through Frank Santoro’s Correspondence Course, and, by extension, the inundation of ideas, influences, and examples flowing through Comics Workbook. Second, to gather locally operating cartoonists (of all levels and persuasions), who often toil in silence/obscurity at home, in a place where we can feel comfortable working and growing alongside each other, for mutual benefit and general good feels. ————————————————————————————————— Juan here. Lately, I’ve been really interested in how we create and share information (and truth) across the web. And of course, how visual literacy (and the tools necessary for its preservation) tie(s) into it. Let’s talk out about visual information and the net. Did you know that more than 180,000 of the items in the New York Public Library’s Digital Collections are in the public domain? It’s true! Aaron Cockle showed me that a year ago, the NYPL had announced this new part of their digitally accessible collection. Thanks Aaron. Now everyone has the freedom to enjoy, modify, reuse and share the materials in almost limitless ways! NYPL now makes it possible to download these items in the highest resolution available, directly from the Digital Collections website. They’re BIG files. It’s true, “the interactive visual library” has been upon us for a while thanks to search engines that could deliver images. Nevertheless, searching in that library is for the most part garbage. You have to sift through mountains of visual information just to potentially find what you need. Bummer. Web art that is allowed to grow wildly from that collective visual library, in an art-for-its-own-sake kind of way, has for the most part been visually chaotic and the noise of visual resolution has usually been used as an aesthetic tool. Think Paper Rad. (Of course, there are lots of interesting exceptions like Dina Kleberman’s I’m Google project – not chaotic at all!) What kind of art is possible with tools like Public Domain visual collections? You tell me. Relatedly and more broadly, this kind of thing reveals one of the many reasons why public libraries are so important. They point to a simple truth that everyone is denying. Searching via tools made by creators that work hand-in-hand with corporate interests sucks. It’s never deep enough. It’s never a rich enough experience. The paths to finding high quality, curated collection of visuals, for free, are long, windy, and sometimes non-existent. A private browser like Google, isn’t the most stable place to reliably find images across time. Sorry, private browsers. What we have is the exciting arrival of another institutionally supported manifestation of archive-able visual memory. I’m very thankful. We have Wikipedia, Archive.org, and others, but we still need more. Yes, this news is from last January, but I want to shout about these kinds of projects from the hilltops. Especially in these times of “#alternativefacts”. Why? Because. With the explosion of instantaneous visual communication across the internet, visual forms, digitally transferred, can essentially be considered as shared experiences. The shared experience of “having seen”. This aspect of highly networked communication allows for users to collectively “see” the world through a shared viewpoint. Permission to transform artifacts of visual ephemera, of past visual memories, invites us to step across time and create and modify languages using pre-existing systems of visual communication. It is the power to create knowledge. Captured thought held into stable states that can be comprehended by another person across the network. Truth as recordable and transferrable. Huge props to the late John Berger for helping me understand this and expand his thoughts from the seventies into the present day. So why and how does this matter today? Expanding this all out to copyright, websites ARE the expressions of that thought. And, as such function as the basis for the merging of idea and expression of idea. Everything expressed in “recordable” communication IS an idea within the legal framework. Organizations with corporate money have the power to take away certain “sides” of information. Information nowadays essentially being the mass of recorded experience. That kind of power can shape the mass of collective knowledge, that is the basis from which we collectively determine “truth”. Turning the creation of ideas into a commodity form. As a society, it is only through collectively supported libraries that we can expand what it means be creating, sharing and finding Truth. Commodity form as community form. Please visit your local library today. It may have been a while since you last visited… It may have been just yesterday! Either way, do yourself a favor and open yourself up to serendipity. Get out there, find something interesting and check it out. ————————————————————————————————— Sally here: The Guardian asked cartoonist Katie Fricas to document the Women’s March in Washington D.C. on January 21st 2017 – here are the stories of some of the women who chose to march. Cartoonists were on the streets worldwide that day, and many of them were documenting the march. Here is a sampling of work I gathered from just a quick scan through my Instagram feed: ————————————————————————————————— The Washington Post shared advice from eight creative thinkers to “the sisters who follow in their footsteps“. Among those who spoke out were Lynda Barry, Hilary Price, and Cece Bell. Advice from Hilary Price: “You will face two monsters, an external one and an internal one. The external one is the person who tells you you don’t have what it takes. You need to cultivate a knee-jerk response to this, to the tune of: ‘Go to hell. Yes I can.’ The internal monster needs a much softer touch. She’s trying to protect you from rejection, but her strategies are misguided. She says things like, ‘You don’t have time’ or, ‘This isn’t real work’ or, ‘It’s probably not good enough.’ “Your job is to see through these tactics, then tuck her in, tell her everything is going to be okay, and go back to your desk.” – Hilary Price And Lynda Barry says “always carry a pen and notebook” – read the rest HERE. (via Comic Riffs by Michael Cavna) ————————————————————————————————— There is a lovely piece in The Globe and Mail about The Beguiling, the famous Toronto comic book shop that recently had to move to new digs – a location that one can only hope will someday be filled with as much history as the last place. It won’t be quite the same Beguiling that Michael DeForge discovered as a high schooler, or the one that pulled Jillian Tamaki from New York City to Toronto… The cartoonist Seth finishes out the article: “I will certainly miss the Markham Street location. That place has a special spot in my memory. We all have a lost city inside ourselves – the memory of places that used to be. I’m sorry to add the Mirvish Village shop to that inner lost city, but I am happy to see the Beguiling carry on and prosper. Long live the Beguiling.“ Read the rest HERE. ————————————————————————————————— Don’t Miss: David Mazzucchelli’s interview with Ted Stearn over on The Comic’s Journal: “DM: But long before you were making comics you were thinking about characters and settings and worlds and creating these environments and I think it really shows right from the first comics you made that there was this sense of world-building, or atmosphere— TS: (Nods vigorously) That’s really good, I hadn’t really thought about that a lot, but I think that’s true, and I think the artists and the authors who I admire the most are able to do that. They did reflect on the real world, but they created their own—like, Basquiat did that, and, I don’t know, Goya did that, Charles Burchfield, and a lot of other artists that I admire. They weren’t married to “reality”—you know, so many artists recreating the world in their own vision. That’s what I appreciate about a lot of artists and I guess that’s what I was trying to do, though I don’t think I thought about it consciously, whether it was the sculpture or the paintings or the automatic drawings or the comics…” Comics on The Nib – recently Mary Shyne (Comics Workbook student) on Obama’s Last Mic Drop. ————————————————————————————————— It seems like cartoonists are more needed than ever these days, whether it’s to document and comment on history, tell the stories of forgotten people, or offer insights into how to survive in this increasingly strange world. From comics journalism to political and editorial cartoons to sci-fi fantasy epics to memoirs to off-the-cuff mini comics and zines…we need it all to help us navigate and survive with a semblance of grace. I’ve been incredibly inspired recently by the cartoonists in my life – from Audra Stang, here for her 2nd Rowhouse Residency, to Pittsburgh’s wealth of active and activist-minded artists, to my little 1st grade students who attend an after school comics class that I teach – and I hope that there continues to be many willing minds and hands out there ready to do this work. (If you have always wanted to make comics but aren’t sure where to start, check out the Santoro School Handbook – or our online Correspondence Course – or the Rowhouse Residency!) ————————————————————————————————— Suzy and Cecil – 1-21-2017 – by Gabriella Tito Suzy and Cecil – 1-22-2017 – by Gabriella Tito (Suzy and Cecil strips that appeared this weekend – don’t want you to miss any of the fun! Strips go up seven days a week @suzy_and_cecil) ————————————————————————————————— Joanie and Jordie – 1-23-2017 – by Caleb Orecchio ————————————————————————————————— 1-23-2017 – by Juan Fernández Share this page: [...]

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