Anne Carson; Boiled Angels; Gabe Fowler; Mary Ann Caws
Anne Carson has a piece of fiction in the most recent New Yorker issue:
Once, she and Martha had gone to Greece together, to an international writers’ conference. While they were there, she’d renounced writing. Instead, she made sketches in a sketchbook and titled it “The Glass of Water,” as if that were what everyone was looking for, a glass of water in Greece, not a different kind of novel or some not-stupid sentences. The sketches were a bit cartoonish but loving. We see the glass of water disappearing up the stairs with a Russian poet. Or gripped fast by a Turkish Cypriot novelist (who has poured it into two glasses). Or lost by a Spanish writer behind a mountain of toast at the breakfast table. She found toast difficult to draw convincingly, from a side view. Drawing the Peruvian poet, on the other hand, who claimed to have videotaped his llama drinking from the glass of water, was a joy, as she already knew how to draw llamas.
The third year of the free Color Giants Expo moves (temporarily) away from animation to feature two events featuring iconic underground cartoonists.
Nov. 10th at 7pm is the second-ever NYC screening of the 2018 feature documentary Boiled Angels: The Trial of Mike Diana directed by Frank Henenlotter (Basket Case). The titular Mike Diana (“Boiled Angel”)—the only artist in US history convicted of obscenity, whose legal battle is the subject matter of this important film—will be present for a Q&A with director Henenlotter.
Nov. 11th at 8pm are new programs of occult-related films, with a live Q&A and tarot readings with cartoonist and witchcraft-enthusiast Dame Darcy (“Meat Cake”). Films will include works by Dame Darcy and Lisa Hammer, Zev Deans, H.R. Giger and more.
Programmed by Kenneth Filmer as part of the Brooklyn Fire Proof Screening Series in association with Comic Arts Brooklyn and Robyn Chapman. Both programs are free.
Address: Seltzer Room Studio 3 at 102 Ingraham St., Brooklyn, NY 11237. (Two blocks from L Train at Morgan Ave.)
This program is for adults only, and no children will be admitted.
‘Do you keep up with the comics news–and what does the term “comics news” mean to you?’
Gabe Fowler is interviewed over at TCJ:
What gets you most annoyed about comics right now?
I try not to sustain annoyance. There’s a lot of regrettable beating-of-dead-horses in comics, and the horse-beaters need to grow a brain or get out of the way. Let me say this: if you look at comics history or comics present and are troubled by problematic material or problematic creators, THAT’S GOOD. When you spot a problem, that’s the world telling you it’s your turn to correct it. This is literally why I run a store. All the other stores were full of stale garbage, run by assholes, had no sense of style, and were always playing shitty music. I realized it was my duty to address these problems and try to find a better way.
The Art of Interference: Stressed Readings in Verbal & Visual Texts
I recently started reading this book, by Mary Ann Caws, published in 1989. Here’s a bit from the introduction:
Marc Shell, in his Money, Language, and Thought, points out the limits of our institutions of philosophy and criticism, given our more than complex relation to economy, exchange, and coinage, particularly in America. Our money complex and our frequent refusal or incapacity to separate the interrelations of coin and paper, cash and symbol, investment and expenditure, are themselves bound up with our production of writing and our theatricalized productions of textual interpretation, with our reading and our perception of all the former. To expand on this thought, then, could we not imagine that what we institute in our thought and speech, and are likely to have instituted, is bound and limited, even as what we think we are defending nationally is the freedom of thinking and discoursing against what would bind and censor?
10-23-2018 by Niall Breen
Cement Mixer – 10-23-18 – by Caleb Orecchio