Aaron Cockle today with Liana Finck; Warren Craghead; Glynnis Fawkes; The New York Review of Comic Books, and the Comics Workbook Composition Competition 2017.


Sara Berman’s Closet
Liana Finck has a piece at The New York Review of Books blog about an exhibition at the Metropolitan Museum of Art, and her personal relationship to it.

Liana Finck, from The Artist’s Closet

Finck also has an exhibition currently at Equity Gallery in NYC through August 5:

Finck presents 80 drawings from a series of work posted on Instagram over the last year. The complexities of life are distilled into seemingly simple ink cartoons. With precision, honesty and biting wit, she explores the highs and lows of living in New York City and how relationships — and we ourselves — evolve. Her work has been described as “gently savage,” “bleakly hilarious” and “transportative” and Finck’s smart authentic voice reminds us of the beauty of experiencing the broad range of emotions that make us human.


Warren Craghead, “When I left Conference Room for short meetings with Japan and other countries, I asked Ivanka to hold seat. Very standard. Angela M agrees!” “If Chelsea Clinton were asked to hold the seat for her mother, as her mother gave our country away, the Fake News would say CHELSEA FOR PRES!”

Warren Craghead, Political Cartoonist
Warren Craghead recently posted about the one-year anniversary of his TRUMPTRUMP comics. Congrats, Warren!

I started this TRUMPTRUMP project a year ago, on the night Trump accepted the Republican nomination for president. Every day since then I have drawn and shared a grotesque portrait of him and his minions, trying to document who he is and what he is doing to us. Here’s the first post. Here’s a bird’s-eye view of the drawings.

This project started like my other drawing projects LADYH8RS and USAH8RS: I drew quick portraits of Trump paired with the seemingly inexhaustible supply of horrible quotes form him. I thought I’d be done on November 8, but when he won I vowed to keep drawing until, as I wrote when starting this project, “—this nightmare ends.”

The drawings have turned more detailed and angry and full. At times I can’t keep up! I’ve drawn from and stolen from Goya, Picasso, Steinberg, Grosz, Kollwitz and, most of all, Philip Guston and his 1970s drawings of the Nixon Administration.

In a few weeks Retrofit Comics/Big Planet Comics will be publishing a collection of the first six months of the drawings, from the nomination until the inauguration. I’m so grateful to them and to everyone who has seen and encouraged this stupid endeavor.

I’m still drawing, every EVERY day, and posting them. People have ask me if I’m ok, if this is taking a toll and I always answer No. I love it – I get to DO something about all this insanity.


An In-Depth Analysis by Glynnis Fawkes
Fawkes on mother/daughter relationships, at the New Yorker.

Glynnis Fawkes, from My Body and My Daughter


‘But since he acts in all purity, without any guile, society is prompt to reject him through its representative, Lucy, treacherous, self-confident, an entrepreneur with assured profits, ready to peddle a security that is completely bogus but of unquestioned effect.’ – Umberto Eco on Peanuts
In a recent e-newsletter, The New York Review of Books recently included a bunch of links to reviews of different comics works it’s done over the years, including:

Garrett Price, from White Boy, November 12, 1933


Here it is, thee Comics Workbook Composition Competition 2017 – 6-panel grid, traditional North American comic book proportions – but with a twist! Deadline Sept. 5th 2017. FULL DETAILS HERE.


A Cosmic Journey – 7-25-2017 – by Cameron Arthur


Suzy and Cecil – 7-25-2017 – by Gabriella Tito

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