07/20/2017

Sally here with comics and commentary from Black cartoonists on The Nib, work by Sophia Zarders, insights from Seren Sensei, and more.

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Chris Kindred

The Nib is running a series of comics called Revolution in Our Lifetime: Black Cartoonists on Life Under Trump. it features work by Ben Passmore, Shannon Wright, Keith Knight, Chris Kindred, Whit Taylor, Ronald Wimberly, and Bianca Xunise. Each artist has two 4-panel strips which stand on their own, but of course together paint a picture of individual but closely shared experiences. Above and below you can see excerpts from the strips – go HERE for the full piece.

Keith Knight
Shannon Wright
Ben Passmore

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Check out work by Sophia Zarders – she is working on a graphic novel called Jesus Freak, and publishes a series of zines called Flossie/Dickie (above), among numerous other poster, mural, comics, and activism projects.

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On Nylon Seren Sensei writes about why black female critics are so important. She’s thinking about film, but her arguments easily transfer to comics, where criticism has long been the field of white men (along with everything else in comics…) Seren cites the clap back from black female critics responding to the new Wonder Woman film, which hit lots of marks for feminism but did little to combat “mainstream feminism’s disregard for intersectionality“, as Cameron Glover wrote recently for Harpers Bazaar.  Seren concludes her article with this:

…not only does diverse criticism benefit tone-deaf white cultural producers, it also provides black artists with critique from people that actually understand their culture. The lack of diversity in critique has been a disservice to creators of color who often find their work bafflingly misunderstood, from restaurant critics to art and beyond. In a field that gives white creators far too much leeway and creators of color far too little, the rise of black women critics is a shift that will only benefit the entertainment industry—and its audience.

Read the rest of the article HERE.

For an interesting new journal of arts criticism from Black perspectives check out Arts.Black.

And in the comics vein, Rob Clough kicked off a new series on his blog called “High Low Intersection” with guest writer Whit Taylor interviewing Miranda Harmoncheck it out HERE.

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It’s the middle of the summer and a great time to go to “summer school” – check out thee Santoro School’s Handbook for Making Better Comics and dig into the project you’ve been dreaming about. Don’t wait! Do it now. Check it out HERE.

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Suzy and Cecil – 7-20-2017 – by Sally Ingraham

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Joanie and Jordie – 7-20-2017 – by Caleb Orecchio

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