Thee Santoro Correspondence Course for Comic Book Makers

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Hi, Frank Santoro here! I’ve been teaching my comics correspondence course since 2011. You will never meet someone as enthusiastic about comics as me. I’m a good coach.

The course is 8 weeks – I run several semesters a year but I will work with you if you want to start the course between semesters. 500 bux for 8 weeks plus access to my coaching for as long as you need. Payment plans are available.


Spring Course starts March 7th 2017!

This semester has a rolling start date. We will kick it off on March 7th but will continue to take applications past that date. Just apply!

Email santoroschoolATgmail for more details.


The most common questions I get about the Santoro Correspondence Course for Comic Book Makers is: “How does the correspondence course work?”

The way the course works is that there is a private blog where you get all of your assignments. This blog is updated every day with demos related to each assignment. We do a lot of fast drawing to get you thinking about sequencing much like a storyboard artist. Over the 8 week course you will create a 16 page “signature” – that means that you will basically draw two pages a week. Email me – santoroschoolATgmail – and I will send you an invite to the course that just wrapped so you can see how it works for yourself.

What if I have a full-time job? Do you think I can manage to find the time to do the course within the 8 week time frame?

I’ve had many students in the past who have had full time jobs. I designed the course so that you can do it when you have the time – at night, weekends, etc. If you “fall behind” it doesn’t matter because I will work with you to complete your 16 page comic even after the course ends. The idea of the eight week course is to impress upon you the structure of a deadline which, I believe, is central to comics making. I know lots of talented comics makers who never seem to be able to finish anything. Comics is all about the deadline. So 16 pages in eight weeks is what we aim for – however if your job or other commitments prevent you from completing the comic, I will work with you until the comic is finished.

What if I can’t afford to pay for the course all at once?

Not a problem. I’m very flexible with payment plans. Talk to me about it and I promise you that I will make you an offer that you cannot refuse. If you think there is no way that you could afford this course then think again. Often I have found that people chicken out about actually doing the work by using the “I can’t afford it” excuse. I will work with you in ways that no “real” school would ever work with you. Also my course is way more affordable than just about any other comics program out there. 500 bux for an 8 week course plus access to my coaching for as long as you need.

Thanks! Please email me santoroschoolATgmail with any questions regarding the course. I accept applications at all times.

 

Santoro School Application guidelines:

-3 figure drawings done on blank 3 x 5 index cards

-3 landscape drawings done on blank 3 x 5 index cards

-3 still life drawings done on blank 3 x 5 cards

-draw in a contour line style – Think Matisse – no under-drawing – draw directly in ink

-just send me small jpgs of images – dont post to your blog pls

-specific url links to any comics work you have done. If you haven’t done comics before that is not a problem.

Send applications to: santoroschoolATgmail

Thanks

xo Frank

 

@santoro.frank on Instagram

http://comicsworkbook.com/ 

http://www.tcj.com/category/columns/riff-raff/

http://coldheatcomics.blogspot.com/

http://www.coldheatcomics.com/

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Frank Santoro

Frank Santoro

Frank Santoro is the founder of Comics Workbook. He has been making and writing about comics since 1988. He is the author of Storeyville, Pompeii, and Cold Heat (with Ben Jones). His comics have been published in Kramers Ergot, Mome, and The Ganzfeld. His work has been exhibited at the American Academy of Arts and Letters in New York and the Carnegie Museum in Pittsburgh. He co-founded the comics criticism magazine ComicsComics, and is a regular columnist for The Comics Journal. He started the Santoro Correspondence Course for Comic Book Makers in 2011 and the Comics Workbook Rowhouse Residency, based in Pittsburgh, PA, in 2015. He’s considered to be a good egg and one of the most passionate proselytizers for comic books and visual literacy that you will ever meet.
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