Gabriella Tito reports in from Orlando, FL, with this process meditation.
Hi all! I’m here to talk a bit about how we reflect ourselves in comics. Now, I won’t break down the psychology or anything, or go into how “mainstream comics” are a reflection of our society, but I think it’s safe to say that whether we realize it or not, a part of us is “merged” into our comics. The most obvious would be an auto-bio comic. Even if it’s not about a character that looks like you or is intended to be you, they still could represent a certain ideology or interest you may have.
So what about comics without characters? Abstract comics? Excellent point! From my own experience in making abstract comics and comics without relatable humans, I realize I have drawn content from a particular emotion or thought I was feeling at the time.
Maybe a song inspired me to put something on paper. You probably have done this too, given the nature of abstract works. Usually, the less I thought about the content, the more fluid the comic was.
Abstract comics, and it goes without saying, abstract art in general, is filled with more character than meets the eye. Abstract works can be charged with so many emotions, and the thoughts the creator has, and they can grab the audience so much that they might even relate themselves to that specific work.
It’s not a mistake that this leads to why good representation is always important, simply because of the fact that the audience is always trying to find themselves in characters or concepts. Where do they fit into this? If the characters are reflections of the creator or intention, what can it say about them?
Now, this doesn’t apply 100% of the time, but it is a real possibility that does happen. These are thoughts a creator should always be aware of, but also be mindful of how far they push it. In any case, this brings us back to how we reflect ourselves in creative mediums.
I’m aware that what I’m saying may not line up with your opinions and that’s OK. These are just some reoccurring ideas I’ve thought about when in the process of making a comic. I’m curious if other cartoonists think of the same things.
Gabriella Tito is a cartoonist living in Orlando, FL. She is currently contributing to Comics Workbook through her own comics and article tidbits and is a graduate of Frank Santoro’s Correspondence Course. You can find more of her work HERE.