@h_gprince is collecting comics and arts news for Thursday, June 2, 2016. Today we’ll board the drunken boat, take a glance at process, and finish off by hunting heads.




On a Boat

PLEASE SHARE: Drunken Boat, the venerable online literary journal for experimental writing (15+ years running), is introducing a dedicated comics section beginning with our fall 2016 issue. We are seeking both form-melting and traditionally formal comics from a diverse range of artists, so whatever comics or comics-like things you’re making, send us your best.

Submitted work should be previously unpublished (though feel free to contact us if this distinction is hazy), between one and twenty-five pages, and comprising either one or multiple pieces. Works will be displayed online, which offers some leeway with regards to size specifications. We simply ask that you familiarize yourself with the journal and use common sense when submitting. We’re open to figuring out a way to present your comics in the best possible fashion.

The submissions deadline for our fall issue is 6/30/2016, so get to work! You’ll find our submissions page here.

If you have any questions, feel free to email at nick@drunkenboat.com.

-Nick Francis Potter, Drunken Boat comics editor






“Reading about other cartoonists’ process always interests me, but I’ve never really written about my own way of creating comics art because it’s usually as simple as can be – pencils, letters, inks, and colors all on the same sheet of paper in that order, no computer intercession to speak of. But for my latest comic, the bootleg Punisher/Dazzler blowout TRAP: FRANKIE TEARDROP, I employed a pretty different way of working that I thought one or two of you might be interested in looking behind the scenes of.” – Matt Seneca.





“This is how I do most my drawings. First attempt at using a time lapse thing, what do you think?” – @m_layzell





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