Aaron here today with ARTZINES; Kurt Ankeny; Brigitte Findakly and Lewis Trondheim; Gary Panter; Juan Fernández
ARTZINES is a transmedia research project run by artist publisher antoine lefebvre editions. This research project aims to produce a reference book on the subject of contemporary art zines. As an artist researcher, it is important for lefebvre to imagine new creative ways of doing research. Therefore, ARTZINES.INFO will allow the public to access the unedited data of this research project as it is collected. This online database and the zines produced by ARTZINES during this research process will show the progress made toward the publication of the book.
Kurt Ankeny: Mining the Mind’s Eye
Kurt Ankeny talks about the reasoning and philosophy behind why he finds drawing from imagination and memory such a strong approach to cartooning, and how this creates deeper truths via non-photographic image making.
The 195th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, Oct. 10, 2017 at 7pm at Parsons School of Design, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public.
‘This humorous episode takes on additional absurdity when the subject shifts to a military coup on the next page.’
Mark Peters at Salon.com has some nice things to say about the new book by Brigitte Findakly and Lewis Trondheim, Poppies of Iraq:
Like any great comic, even one about the real world, “Poppies of Iraq” creates its own reality for readers to get lost in — a world told via plain, blunt language and non-realistic, cartoony figures that interweave the personal and political. One of the most subtly brutal sequences in the book involves a marriage. In a tense two pages, Trondheim presents three short conversations consisting of the words “So?” and “Completely.”
Gary Panter: HIPPIE TRIP, Oct 12 — Nov 11, Marlborough Contemporary Viewing Room, 545 West 25th Street, NYC.
Via Dan Nadel.
Expanding the Festival Toolkit
If you haven’t already, please take a look at Juan Fernández’s post about future possibilities and approaches to comics festivals:
Centralize SalesOur current system is embarrassingly inefficient. It is an ineffective use of getting tens of dozens of skilled comics makers and storytellers in one city for a week or weekend. No more exhibitors expected to stand behind tables hawking wares. Nowadays with everyone behind tables, people are barely interacting. There’s a vital cross-pollination that just doesn’t happen.What does it look like when a show does away with the flea market model? One thought is that you establish a festival shop.You get an experienced comics retailer to run the shop. You have them hire a trusted staff. You pay that staff. The shop gets a cut. 30/70. In a model like this, it costs you no money to have your work available.Under this new kind of model, if you are a guest you sign up to be involved in citywide comics programming. Signings, gallery exhibitions, lectures, workshops. This is the kind of thing that you get Arts and Cultural councils involved in. You sign up because you want to be part of the programming.With a model like this, you free up the artists and suddenly new horizons open up. Among those horizons are sources for financing. Imagine collaborating with a city’s municipal parks: guided bike tours where throughout the tour you make stops, learn about the city while doing landscape drawings and comics strips of the experience… A series of readings at a bookstore. Gallery exhibitions. Movie screenings at an arthouse theater. There are so many venues that would be amenable to programming: libraries, universities, community centers, theaters, bookstores, parks… Most of these venues have programming budgets that could fund materials and labor for artists.
Suzy and Cecil – 10-10-2017 – by Sally Ingraham
Joanie and Jordie – 10-10-2017 – by Caleb Orecchio