Sally here, ready to dig into a roller-coaster of a week. We went from the excitement of the Eisner Awards to the wild Democratic National Convention, and then were hit with the sad passing of two comic masters – and the week isn’t over yet! Perhaps we will be able to catch our breath and our balance today?
First up, a summer report from Frank Santoro, live from the Rowhouse Residency in Pittsburgh, PA –
The EISNER AWARDS! They were incredible this year. Image Comics may have claimed the most awards, but it was Drawn & Quarterly that owned the stage that night (pictured above, publisher Peggy Burns accepting the Best Anthology award for Drawn & Quarterly: Twenty-five years of contemporary comics, cartoons, and graphic novels).
From the D+Q blog:
“D+Q authors were nominated in five categories and swept all five of them, with wins for Kate Beaton (Best Humor Publication for Step Aside, Pops), Shigeru Mizuki (Best American Edition of International Material – Asia for Showa 1953-1989), Jillian Tamaki (Best Publication for Teens for SuperMutant Magic Academy) and Adrian Tomine (Best Short Story for “Killing and Dying”)! Beaton was the first solo female cartoonist to win in the humor category, a deserved and significant win.
In addition to all that wonderfulness, two of our legendary and defining authors, Lynda Barry and Tove Jansson were inducted into the Will Eisner Hall of Fame.”
And for even more SDCC and Eisner Awards coverage: Jamie Coville recorded the ceremony plus 21 panels during the week, and took a million photos for The Comics Beat. You can check it all out HERE.
Of particular interest to me were the panels “We Need Diverse Comics” with Raina Telgemeier, Nilah Magruder, Ron Wimberly, Ben Hatke, Nidhi Chanani and moderator Glen Weldon; the “Daniel Clowes Spotlight” with Clowes and Eric Reynolds; the “Trina Robbins Spotlight“; and “The Complete Wimmen’s Comix: Her-Story” with founders and contributors Trina Robbins, Terre Richards, Sharon Ruduhl, Lee Marrs, Rebecka Wright, Mary Fleener, Joan Hilty and Barbara “Willy” Mendes.
Here on the site, Jillian Fleck has a fascinating report on a thriving corner of the comics world that many of us may not be aware of. Graphic Medicine is a thing, and a great thing at that – Jillian digs into why, via her experiences at the Graphic Medicine 2016 Conference in Dundee, Scotland earlier this month. Read the article HERE.
Okay, let’s turn to politics briefly – The Nib has held my attention all week with comics that explore the scene around the Democratic National Convention in Philadelphia. Once again Sophie Louise Dam killed it, this time teaming up with Eleri Harris. Their comic gets you on the Democratic Platform and makes you want to linger there – check it out HERE.
CNN caught up with Matt Bors, editor of The Nib, and followed him around on day 4 of the DNC, checking in with the artists and getting the “funny” side of things. Video below.
The Washington Post reported on Wednesday – “RICHARD THOMPSON, the “Cul de Sac” cartoonist who is widely considered one of the greatest comic-strip creators and illustrators of his generation, died Wednesday in Northern Virginia, family friends confirm. He was 58.” – via Michael Cavna
John Martz drew some memories of Richard Thompson for Slate –
Jack Davis also died on Wednesday, at the age of 91. The Comics Journal has begun collecting tributes to this beloved cartoonist, written by the likes of Gary Panter, Peter Bagge, and Jim Woodring among others – with more to come. Check them out HERE.
About minicomics Lehoczky wrote –
“Shouldn’t minicomics be obsolete by now? Printed by their creators in tiny batches and sold for a few bucks at “alternative” comic shops and conventions, they’re as cumbersome to produce as they are to obtain. It would be much more sensible for the artists to just put up their work online — right?
Fortunately, these artists aren’t interested in being sensible. They’re in love with the unique tangibility of print on paper, the sight and feel of pages under their fingers. It’s a powerful yen, as evidenced by the recent resurgence of printed books in the larger publishing world. There are enough artists who share it to make minicomics a thriving and diverse genre. Some of these creations really are “mini” — they may be 4″x6″ or smaller, or contain only eight pages. Even if they’re magazine-sized, they take some work to discover.” via NPR
Lastly, also here on Comics Workbook today, we have a new Art Trip piece from Anna Mancini! Not to give anything away, but she was in a museum in Rio de Janeiro and had a definite encounter with comics. Check it out HERE.
Hang in there folks! The summer still has surprises for us I think. – Sally