Tatá Timbó; Carolina Rey on Joung Yumi; Cuadernos del Cómic; Angeli spotlight; Aidan Koch interview; Hernandez Brothers appreciation; new books at Spit and a Half distro; Abhay Khosla on Copra; Cole Closser and the Leroy Lettering System; New Statesman open call.


Foto – Isabel Bláser

Shop Spotlight: Tatá Timbó

Located in the heart of the San Telmo neighborhood of Buenos Aires, Tatá Timbó is a studio space and book store that specializes in the visual arts. It’s a literary arts space that focuses on youth development through the visual arts founded by Mercedes Fox, Verónica Kaplansky, and Guido Amante.

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By combining the idea of a studio and a book store they seamlessly blend arts with reading and writing for all ages. Visual literacy and verbal literacy. Children get the opportunity to work freely and wildly while also benefitting from arts mentorships that help them hone their craft. This all allows youth to find artistic mediums and processes they enjoy. El Sol de San Telmo offers a good look at Tatá Timbó’s mission and genesis.

This past weekend they put together a small zine fair to bring together the publishing energies of their community. It’s cool stuff. Really exciting to see this kind of thing in Buenos Aires.

Among the participants for this zine fair:

Nicolás Mealla, Jorge Quien, Musaraña Editora, Marcela Oliva, Juan Vegetal, Pedro Mancini, Delius, Pablo Picyk, PowerPaola, Pablo Besse, Fuga Serigrafía, Luz Marchio, Diego Perrotta, Are you a cop or what?, Alfonso Piantini, Daniela Ruggeri, Miscelánea Total, Fuga Serigrafía, Lino Divas, and Hotel de las Ideas.


Joung Yumi
Carolina Rey, creative director of Rey+Naranjo Editores appreciates the work of Korean artist, Joung Yumi during Korea day at la Feria Internacional de Libros in Buenos Aires 2016.


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CuCo – Cuadernos del cómic

Cuadernos del Cómic is a free digital magazine dedicated to the study and critique of comics edited by Octavio Beares and Gerardo Vilches. It is published twice a year in Madrid, Spain.  It’s in the vein of old-school academic journals, but in Spanish, with spanish comics coverage. You’ll want to sink your teeth into this one.


Angeli Retrospective – 40 Years at Folha

Folha de Sao Paolo has a feature on the cartooning career of Angeli, one of the forefathers of modern graphic humor in Sao Paolo. Whether you need to brush up on your portugese or you just have to smash that translate button, there’s lots of comics for you to feast your eyes on in this feature.


Aidan Koch – Photographed by Noel Freibert 2012

Aidan Koch interview over at BOMB Magazine.

CM You set up an exercise for yourself, in which you deconstructed classical paintings. Some of these are in The Elements of Painting. And there’s a recurring interest in deconstructing classical images or classical symbols in your work.

AK For sure, and also life and space and other types of images, too. Seeing what’s important, or what you can make important by pulling things in or out. Like using myself for reference—by not drawing in the background, I’m only focusing on character, but if I started drawing other details, then suddenly there’s all this concrete information that’s competing. So being able to choose where the emphasis lies, all the time, panel by panel, seems really essential in learning about pacing and building. And when looking at paintings, it’s often hard to focus. Especially ultra-dynamic ones or ones that have many characters or little actions happening. Medieval paintings are insane because there’s so much going on all the time. I’ll draw in museums a lot because it makes me look at a painting much more than giving it ten seconds and moving on. Because then you miss all these teeny tiny nuanced emotions or gestures.

In case you missed the news on Monday, we are currently featuring Aidan Koch’s The Elements of Painting here on the site. These strips were originally created for and featured on Comics Workbook in 2013.
The full collection is now a 14pg, b/w offset on newsprint in an edition of 500. You can buy it directly from Aidan Koch on her site.



Abhay Thinks He Can Write About COPRA Better Than You — Nowhere to Hide – Nowhere to Cry – I Sunk Your Battleship Edition: 666
Abhay Khosla with the comics criticism gold over on Savage Critics. Khosla writes like nothing else. Read it and weep. 

For the last few years, one of my favorite comics to read has been Michel Fiffe’s COPRA.  It’s a comic that I really pretty unabashadely love– one of the few being put out right now where I would talk about it in those terms.

But for the last few years, one of my least favorite comics to read people talk about has been Michel Fiffe’s COPRA.


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John Porcellino has got the good stuff over on the Spit And A Half distro siteHanselmann, Ord, Doucet, KUŠ, Irene, Clotfelter, Van Sciver, de Dionyso, Booth, Picukane, Moisseinen, Franz.
Won’t last for long.

Get it while you can.


Leroy Lettering Guide – Cole Closser

Cole Closser and the Leroy Lettering System

I’m an advocate for hand-lettering. I think some comics suffer when the text doesn’t come from the same hand as the line art. That inconsistency can be jarring—and usually ruins my immersion in a story. I letter everything in my books, from the dialogue to the page numbers and front matter. I generally use my own handwriting or imitate old alphabets (like in that first picture), but when I was workin’ on Bow White for my last book, Black Rat, I wanted the lettering to look like the story had been translated from another language. I wanted it more mechanical. I wanted Leroy lettering


Love and Rockets appreciated on The Guardian
People are waking up to the master work that is Love and Rockets. Nice.It’s a good time to be alive in comics.


1st amend-Charlie final 600 dpi
New Statesman Back page – by Art Speigelman – 2015

New Statesman has an open call for back page cartoonists.
Make something witty & make some $$$. Shoot for the stars, hungry cartoonists and send some samples.

See you next time, hasta la proxima 😉

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