Sally here with comics and news from Kyle Baker, Aphton Corbin, Shannon Wright, Keith Knight, Sam Ombiri, and more!


Shannon Wright has a new comic about Bessie Coleman, made for KAZOO Magazine – the first part is above and you can see the rest HERE!


I dashed headlong through Kyle Baker‘s I Die At Midnight (2000) the other day when it turned up in the library at the Comics Workbook Rowhouse Residency. One of Baker’s favorite short stories, it was the 2nd comic he made that used 3D graphics and his 1st comic that was drawn entirely on the computer. Perusing it 17 years after the comic was first published, I am astounded by how good it looks. Even though the technology has improved since then, most comics I’ve seen recently that employ digital artwork don’t look this good. What Baker was doing in 2000 with these “new” tools and tricks still looks fresh, and there’s an inventiveness and joy here that hasn’t faded or grown dated. It’s crazy to think that this was his starting point for digital artwork and he only got better from here – gasoline on a flame type stuff. This comic, and his work that followed, doesn’t look like it was “built” in Photoshop – there is a naturalness to it which comes from Baker’s outrageous drawing chops, expressive characterizations, and eye for color. The story in I Die At Midnight also happens to be a wildly entertaining piece of chaos – as Baker describes it:

The Good News is Muriel has decided to take Larry back. The Bad News is Larry’s just swallowed a bottle of pills and he can’t tell her about it, or she’ll leave him again. With a stomachful of poison, Larry must race across Manhattan to meet up with the only person who can save his life and keep his secret. But first he’s got to get through a crowd of millions in Times Square – and Muriel’s Murderous Ex-Boyfriend.

64 pages of non-stop action, with sequences that somehow combine 3 plotlines at once (employing a blur/fade technique that really puts digital art to WORK), this comic is worth tracking down if you’ve never read it and reading again if you have. You can get a copy from Kyle Baker himself HERE.


I came across this comic made by Aphton Corbin recently – she is a storyboard artist at Pixar but has also been publishing a comic about her life and experiences as a black female on her tumblr. The start of the most recent episode is above, but there are plenty more HERE. Check them out!


Faith Ringgold (American, b. 1930). For the Women’s House, 1971.

Coming to the Brooklyn Museum this spring is the exhibition We Wanted a Revolution: Black Radical Women, 1965–85 (APRIL 21–SEPTEMBER 17, 2017).

Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color—distinct from the primarily white, middle-class mainstream feminist movement—in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.

Not comics, but definitely worth checking out if you’re in the area! More details HERE.


The latest strip from Keith Knight.


Sam Ombiri – 3-16-2017


The Spring Semester of the Santoro Correspondence Course for Comic Book Makers has begun! There is a rolling start date for this semester of the course and we are continuing to take applications. Just apply!

The course is 8 weeks long – 500 bux – payment plans are available.

More details can be found HERE – or email santoroschoolATgmail.

Recent comics by course grads November Garcia and Drew Lerman can be seen HERE and HERE.


Blinkers – 3-16-2017 – by Jack Brougham


Suzy and Cecil – 3-16-2017 – by  Sally Ingraham


Joanie and Jordie – 3-16-2017 – by Caleb Orecchio

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