Sally here with work by Laércio George Mabota, Djialeu Martial Ngande, and many other African cartoonists!
I recently found a new database that I’ve been digging into – the Africa Cartoons: Encyclopedia of African Political Cartooning. It is being built by Tejumola Olaniyan, who is the Louise Durham Mead professor at the University of Wisconsin–Madison. He is originally from Nigeria, and his interests in African diaspora have led him write numerous books on music, literature, drama, and cultural identity. Somehow these interests also condensed into the desire to build this database, which lists 180 cartoonists from many African countries, and aims to represent the entire continent eventually.
The artist whose work is represented above is Laércio George Mabota, a cartoonist from Mozambique. According to an article in The African, written when some of his work was featured at the Studio Museum in Harlem, his comics often feature “a braided, warrior-heroine in action packed panels that are as reminiscent of D.C. and Marvel comics as is the cross-hatching shadow technique in which the artist rendered her. As the heroine fights against marauders one can see that even this piece can be easily placed in the wider thematic interplay of justice/injustice prevalent in the exhibition.”
Here’s another piece by Mabota that was featured on the Africa Cartoons database:
Explore Africa Cartoons and discover more great comics artists – HERE!
Africa Cartoons led me to Africa Comics, and the Africa e Mediterraneo Award for best unpublished comic strip by an African author (an award that Laércio George Mabota has won). This project operates within Italy and the African continent, offering workshops and lectures in schools in addition to the award.
The award has been given out between 2002-2015, and I hope it will continue, as it gives the award winners an introduction to the European comics market. You can see the list of winners HERE – and some of the comics that won are featured and written about. Mabota’s strip Metamorphos da arte is featured HERE.
A winner of the 2011-2013 award, first prize in the “Food Sovereignty” category, was this comic by Cameroonian cartoonist Djialeu Martial Ngande:
The title translates from the French to For a history of plantain – the story is described thus:
A man in a village is sent by his angry wife to look for food. He goes to the banana orchard, where he sees a man who has just taken a bunch of bananas: he threatens him and makes him carry the bananas back to his place.“
Be sure to check out this whole website – lots of really interesting stuff here, and especially interesting to me because these comics definitely have more of an “underground” feel to them. They’re each 4 pages long as well, which provides a more complete look at the work of these artists than I’ve chanced upon in my internet searches.
I can across an article by MariNaomi in Issue 4 of Midnight Breakfast, which is about Writing People of Color
(if you happen to be a person of another color). It is a good read, with interjections and digressions in comics form, and finishing with comics and bits of advice from a number of other artists, including Yumi Sakugawa, Keith Knight, Whit Taylor, and Maré Odomo.
The Winter Semester of thee Santoro Correspondence Course for Comic Book Makers starts January 16th 2018! 8 weeks – 500 bux – coaching for as long as you need. The course is hard, but Frank will push your comics making practice to a new level, getting you to think about timing and color in new ways. His experience and ideas have influenced the likes of Connor Willumsen, Michael DeForge, and Simon Hanselmann (quote “I consider Frank Santoro to be my L. Ron Hubbard”) among many others. Dig into something new in the new year!