Aaron here today with the New York Comics & Picture-Story Symposium Schedule; Käthe Kollwitz and Sue Coe; Whit Taylor; Imagined Communities, Nationalism & Violence
The 2018 schedule of the Ben Katchor-organized New York Comics & Picture-Story Symposium has been posted.
This line-up looks great, including presentations by Joe McCullough (on Steve Ditko), Julia Gfrörer, Eleanor Davis, Keren Katz, and Matthew Thurber.
ALL GOOD ART IS POLITICAL: Käthe Kollwitz and Sue Coe
At Galerie St. Etienne until February until February 10, 2018.
ALL GOOD ART IS POLITICAL: Käthe Kollwitz and Sue Coe will present more than 30 drawings and prints by Kollwitz (1867-1945) and more than 30 paintings, drawings, and prints by Coe (b. 1951). The exhibition borrows its title from writer Toni Morrison, who once noted, “All good art is political! The ones that try hard not to be political are political by saying, ‘We love the status quo.’”
The exhibition coincides with the publication of a book of woodcuts by Sue Coe entitled The Animals’ Vegan Manifesto (OR Books, New York and London).
Despite their differences in background – Kollwitz was born in East Prussia in the 19th century and lived in Berlin, Germany; Coe is an American born in the U.K. and living in upstate New York – both artists share a career-defining attraction to social issues, undergirded by the belief that art can inspire constructive change. Each is considered among the most important political artists of her time, unmatched in her fearless approach to profoundly difficult subject matter, unerring humanity and eloquence, and an uncanny ability to disturb the viewer’s complacency.
Alternative to Avocado Toast for 2017
Whit Taylor at the NY-er.
Imagined Communities, Nationalism & Violence
At Rubber Factory until January 31, 2018.
Benedict Anderson’s seminal text “Imagined Communities” investigates the origins of Nationalism as a modern condition and serves as the starting point for our group exhibition. From the influence of rationalist secularism to the conception of homogenous, empty time, Anderson outlines the convergence of factors which led to nationhood as a vehicle for the creation of meaning and ultimately self-sacrifice.
As Nationalism is revitalized through increasingly extreme rhetoric whether it is nativism or protectionism, the exhibition explores this new wave of anxiety around nation-hood and ways nation-ness is constructed. Whether it is through the oblique nature of our informational channels which function as echo chambers reminiscent of the earliest ways Nationalism spread through print media or the conflation of meaning with sacrifice, it is clear that there are precedents for how Nationalism as a construct has led to and sustained cycles of violence.
The Winter Semester of thee Santoro Correspondence Course for Comic Book Makers starts January 16th 2018! 8 weeks – 500 bux – coaching for as long as you need. The course is hard, but Frank will push your comics making practice to a new level, getting you to think about timing and color in new ways. His experience and ideas have influenced the likes of Connor Willumsen, Michael DeForge, and Simon Hanselmann (quote “I consider Frank Santoro to be my L. Ron Hubbard”) among many others. Dig into something new in the new year!
Full details and how to apply can be found HERE.
Vision Box – 1-2-2017 – by Cameron Arthur