Harrison is here today previewing the 4th Annual Comics Workbook Competition, revisiting an old/new interview with a veteran artist, giving an update from Richmond, VA’s best artists, and finishing with something sharp.
CBR News: What about the challenges or difficulties you may have faced while getting into the comics biz?
AJ: Well, Marvel and DC were interesting places in the early ’70s. Racism was there, but not the kind you would think. People were trying to be very open minded, but they only could draw on what they knew. I spent a lot of time getting to know people. It was hard at first because, in some cases, we had nothing in common but our love of the industry. Plus, the industry is very much like a little Hollywood: it’s about who you know, as well as how good you are.
Many of the people I worked with I’d know for sometime through the convention route, or from zines, like [the ones done by] Roy Thomas (when we had our zine, Roy was our source for news at Marvel) and Paul Levitz. Marvel and DC tried to be open to us but, in a way, they didn’t know quite how to relate to us. It helped that most of my friends from Detroit helped to open doors. We would take a 13 hour drive and spend the night with Al Milgrom and his roommate, hang at Rich’s, then go see John Romita at Marvel, get our butts spanked, and go back to Detroit to work on our samples again.
– via Comic Book Resources
Read the rest of the interview with veteran artist Arvell Malcolm Jones here.
Cameron Weston Nicholson Cameron’s got a sale on his latest comic, Burgundy. IF you’ve been waiting to pick up some work from Cameron, now’s your chance before these comics are gone! Send him a message via instagram and he’ll hook you up.
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