Aaron here today with Whit Taylor Comics; PaperJazz; LA Times Book Prize Finalists (Comics Category); Pete Toms Gets Reviewed; Another Look at Matthew Thurber; Horvitz/Provan in Conversation; Congrats to INK BRICK
What is Race? Just the Facts.
Whit Taylor has a comic about race and its perception throughout history posted at the Nib.
Graphic Novel/Comics of Note (in Los Angeles, California)
The Los Angeles Times has released its list of finalists for their annual book prize awards, with a strong list of contenders for the ‘GRAPHIC NOVEL/COMICS’ category:
“Beverly” by Nick Drnaso
“The Artist” by Anna Haifisch
“Don’t Come in Here” by Patrick Kyle
“What Is Obscenity” by Rokudenashiko (translated by Anne Ishii)
“Demon: Volume 1” by Jason Shiga
A Comic Whose Characters Swim in Apathy and Cynicism
At Hyperallergic, R. Orion Martin digs in to Pete Toms’s Dad’s Weekend, published by Hic and Hoc:
Every middle-aged character in the book except for Manny seems to be in a state of resigned existential crisis. One middle-aged woman interrupts Manny to tell him about a realization she’s had,
Once you unpack, you’re left with an empty suitcase. What’s at the foundation of who you are? Animal instincts? Some shit your parents said to you when you were a toddler? It’s all so simple and unimportant. I had this dream where I hung myself with my own DNA strand.
‘The pre-production of Cremaster 3 is kind of just rolling along without me.’
Sally and Juan linked to this Max Morris/Matthew Thurber interview last week, but I wanted to take another look at it, especially this part from the start of the Q&A:
Max Morris: Back in 2014, you wrote this article for The Comics Journal Website , “Letter to a Young Cartoonist”, that stirred some controversy at the time. A bulk of the article dealt with the ramifications of posting comics work on Tumblr and Social Media, among other issues of challengers to the new generation of comics artists. This was in a time when that felt like the primary way to see new work being made by current creators. A little under 3 years after you posted that article, a lot has changed. Looking back at this article, what words do you have to say to the young cartoonist today?
Matthew Thurber: I feel more than ever that printed media contains autonomous power that is almost magical. All internet publication is embedded in and framed by another corporation. With print, as soon as it flies off the press it belongs, like the land, to “you and me”. The disturbing thing about social media is they change the terms of publication from one of total freedom, to one where you are being allowed to express yourself. Because they grant it… they can take it away. Social media echo chambers are destructive: look at what they have helped to do in terms of ripping our country in half, replacing everything with a simulation of reality. Is that what you mean by “a lot is changed”? We’re opting into 1984 because it feels good. It’s so seductive to feel like you’ve done something in pseudo-reality. We need to learn to live without the internet, to distribute artifacts in physical space, to know how to talk to each other again. It is so much more meaningful and beautiful. And guess what??? I’m part of the problem because I’m on INSTAGRAM (@mtshelves)! What a miserable hypocritical worm!!!! And the worst part is….I LOVE it! I love the ego pampering attention and the immediacy despite my complete conviction that it sucks!
Horvitz’s work as an artist often suggests how to live outside the bounds of time, how to recover forms of experience that are rooted in natural rhythms and not the dictates of international bureaucracies. “A lot of people are into yoga and meditation, but I see those as ways of relaxing your mind and body so that you can continue to work efficiently and productively, at absurdly accelerated rates,” he says. “I’m interested in forms of meditation that cultivate the enjoyment of time, that oppose efficiency, that make you miss every deadline.”
Horvitz and Provan cover ancient Egyptian astrology and atomic clocks, the auditory landscapes of nineteenth-century villages and the contemporary landscapes offered by geostationary satellites. They find the origins of Brexit in the imposition of the Gregorian calendar (“European-elite time”) on the British in 1752, which vanquished eleven days and gave rise to a protest slogan after Boris Johnson’s heart: “Give Us Our Eleven Days.”
INK BRICK’s crowd-funding goal for it’s 8th issue was met with some time to spare, so congratulations to them. The new book has a great list of contributors, and frequent readers of this news-blog will see some of their favorite cartoonists/people involved:
Vidhu Aggarwal | Alyssa Berg | Warren Craghead | Erin Curry | John Hankiewicz | Keren Katz | Mark Laliberte | Matt Madden | Paul Madonna (cover) | Alexander Rothman | Alexey Sokolin | Bishakh Som | Deshan Tennekoon | Andrea Tsurumi | Paul K. Tunis | Andrew White | Sophia Wiedeman | Shahar Sarig
More info, as well as details about their ‘Stretch Goals’, are noted on their Kickstarter page.
The semester has a rolling start date, but it will officially kick off on March 7th. We will continue taking applications past that date – Frank is always willing to make it work for your schedule. Just apply!
The course is 8 weeks long – 500 bux – payment plans are available.
Email santoroschoolATgmail to apply
A Cosmic Journey – 2-28-2017 – by Cameron Arthur
Suzy and Cecil – 2-28-2017 – by Sally Ingraham
Joanie and Jordie – 2-28-2017 – by Caleb Orecchio
Cozytown –2-28-2017- by Juan Fernandez